grahame lynch

grahame lynchgrahame lynchgrahame lynch

grahame lynch

grahame lynchgrahame lynchgrahame lynch
  • home
  • artist's statement
  • bio
  • portfolio
    • of breath and water
    • Being...
    • the logic of subduction
    • ex libris
    • escaping just by feel
    • ceramics
    • experiments & process
  • c.v.
  • More
    • home
    • artist's statement
    • bio
    • portfolio
      • of breath and water
      • Being...
      • the logic of subduction
      • ex libris
      • escaping just by feel
      • ceramics
      • experiments & process
    • c.v.
  • home
  • artist's statement
  • bio
  • portfolio
    • of breath and water
    • Being...
    • the logic of subduction
    • ex libris
    • escaping just by feel
    • ceramics
    • experiments & process
  • c.v.

escaping just by feel

This installation was comprised of a series of images etched into steel and framed with concrete slabs that formed a floating floor in the gallery to be walked on or around.and a video sculpture called the Blindfolded Sentry stood guard at the entrance of the space. The images were a series of 21 video stills that recreated a space that was documented while blindfolded — they showed tiles and concrete and the edges of rooms that had been demolished. Across the ground shadows of a searching, outstretched hand were cast, and when translated into a tactile experience, they created a sensory disconnect — they could be read by sight or by touch, but the foreshortened scale was particular to sight. 

The blindfolded sentry – detail

transmitted video, black and white monitor, magnifiers.  1996

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